HELLO VISITORS

Hello: My name is Jacqueline Marchant. I am a Jewelry designer /creator and book reviewer for some very famous crafting publishing companies. When you check out my book reviews you will learn who they are. In these reviews you will receive loads of information and my feelings about the publication. I have learned an extraodinary amount about all the many facets and mediums in designing and creating jewelry from these books and I am over the moon that I have them to refer to , they have been a god send to me. IN THIS BLOG YOU WILL FIND TONS OF INSTRUCTIONAL VIDEOS I HAVE FOUND IN MY SEARCH FOR KNOWLEDGE,THESE VIDEOS HAVE BEEN GRACIOUSLY SUPPLIED ONLINE FOR US ALL TO LEARN FROM BY SOME VERY TALENTED, BRILLIANT ARTIST. i HAVE LEARNED FROM THESE VARIOUS VIDEOS FROM YOU TUBE AND OTHER PLACES ON THE WORLD WIDE WEB AND PLACE THEM ON MY BLOG SO I CAN READLY REFER TO THEM FROM TIME TO TIME AND I HOPE YOU FIND THEM HELPFUL ALSO, I HOPE TO ONE DAY BE AS BRILLIANT AS THESE VIDEO TEACHERS.To learn more from these various artist just click on title of videos to link to all their other tutorials...thank you ... YOU WILL ALSO SEE SOME PICS OF MY WORK, AND SOME OF MY ADVENTURES. I ALSO LIKE INCLUDING OTHER ARTISANS SITES FOR YOU TO EXPLORE. I FIND THE MORE YOU EXPLORE THE MORE YOU LEARN AND BY DOING THIS YOU GET INSPIRATION TO CREATE YOUR VERY OWN ONE OF A KIND MASTERPIECE. HOPE YOU ENJOY MY BLOG AND COME BACK AGAIN . WHILE HERE PLEASE FEEL FREE TO JOIN MY BLOG.
THANKS SO MUCH FOR STOPPING BY......BYE FOR NOW, JACQUELINE MARCHANT

Friday, March 21, 2014

Contemporary Jewelry in Perspective Edited by Damian Skinner

Contemporary Jewelry in Perspective, Edited by Damian Skinner and a joint venture between the Art Jewelry Forum (www.artjewelryforum.org) and Lark Jewelry & Beading- an inprint of sterling publishing. About Damian Skinner. Mr. Skinner is an art historian and curator of applied arts and design at Auckland Museum and former editor of Art Jewelry forum. Mr Skinner is from Aoteroa, New Zealand. He was a Newton International fellow at the Museum of Archaeology and Anthropology, University of Canbridge, from 2012-2013. This 264 page publication takes you on a detailed extensive journey into the world of contemporary jewelry. So fasten your seat belt cause here we go. First I would like to share with you something Mr. Skinner shared in this extraordinary and extremely enlightening book. He came across this definition of craft by jeweler Bruce Metcalf which he liked very much. Craft is Multivalent by which he means has more than one dimension or aspect. Metcalfs definition is flexible, but also describes a series of tendencies or histories that craft practices like contemporary jewelry will engage with. Most often contemporary jewelry is an object which has been substantially made by hand, and it also tends to be- although it isn't always- made from traditional craft materials, by traditional craft techniques. Contemporary Jewelry has been in existence for an extremely long time and has evolved through the years and through the eyes of their creators. This is what you will come to comprehend when you read this book. Mr. Skinner has been meticulous in his gathering of knowledge and history. The photography is mesmerizing, stunning and brilliant all rolled into one. This is really an excellent demonstration, and imparting of history and knowledge in the world of contemporary jewelry and art. Many of the pictures you see in this book will give you cause for pause. Pause to reflect and ponder the meaning and the brilliance behind the creation you are contemplating. The insightful presentation will truly inspire you. Hats off to Mr. Damien Skinner, the Art Jewelry Forum and Lark Jewelry and Beading.

Jacqueline Marchant-Book Reviewer

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Beadphoria: Spring Cleaning Bulletin Board Redux

by Beadphoria

Happy (almost) Spring, Beadphoria friends! With this being the first Monday of the month, it is time for the Designer Crafts Blog Hop! The theme this month is March, and what it means to you. For me, March means the arrival of spring. A time for renewal. What was once barren is now brought back to life.

With the feeling of being renewed, we often want to bring beauty into our surroundings. One way we can do this is by doing some spring cleaning. This simple project will bring new life to a boring bulletin board and it will help organize your jewelry!

The bulletin board pictured above had been on the wall of the Beadphoria, Inc. for quite awhile. It became one of those things that you see, but didn't look at every day. As you can see, it was in desperate need of a makeover.

Materials for the spring cleaning makeover

Here are the materials we used:

-Bulletin Board

-Fabric Remnant

-Brown Velvet Ribbon

-Glue Gun & Glue Sticks

-Picture Hangers

The fabric was spread out onto the floor and the bulletin board placed in the middle.

Next, hot glue was put onto the frame on the back of the bulletin board to hold the fabric in place. From there, we flipped the bulletin board over. Using the glue gun, we tacked the brown ribbon in place around the edge of the frame.

How much prettier is that!

Of course the work had to be inspected by our quality control manager and customer service rep, Lola.

We placed the bulletin board back on the wall, and started putting the picture hooks in.

Close up of the picture hooks.

Only thing left was to add the jewelry!

We now have a beautiful showcase for our jewelry with a little bit of spring cleaning effort!

How to cover a bead with peyote stitch

How Do I Cover a Bead with Peyote Stitch?

Nov 20, 2011 by Vanbeads


This spectacular peyote stitch Bloomin' Bead was designed by Carol Dean Sharpe of Sand Fibers.

Beaded beads are fascinating for so many reasons. It's more of that Zen-like quality of beadweaving for me: imagine making a bead out of beads! Where does one bead stop and the next bead begin?

Before I get completely off topic, let's talk about covering a bead with beadweaving to make a beaded bead. It's a fabulous way to turn ordinary wood beads into something spectacular, and these little peyote-stitch beading projects usually don't take a lot of time to finish.

To make your own peyote-stitch-covered beaded bead, you'll need the following tools and materials:

Round wood beads. Start with round beads at first, since their shape makes it easy to shape peyote stitch around them. For this tutorial, I used a 20mm round wood bead that I found in an assortment from my local craft supply store.
A small strip of double-sided tape, also available at your local craft supply store.
2 grams of Japanese cylinder beads, size 11^o in color to match or contrast with your wood bead.
1 gram of size 15^o seed beads in a color to match or contrast with your cylinder beads.
Beading thread of your choice (6 lb Fireline recommended).
Size 12 beading needle.
Scissors or thread cutter.
Additional beads for embellishment, if desired: fringe beads, drops, daggers, bugle beads, or larger seed beads.

Let's get started! Here's how to cover your wood bead with peyote stitch in ten easy steps:

		1. Take a small strip of double-sided tape and wrap it around the center of your wood bead. This will hold your first few rows of peyote stitch securely in place and will also provide an anchor for your finished peyote-stitched beaded bead.

		2. Pick up an even number of cylinder beads. Always make sure you have an even number of beads before stitching so that your rows are even as you go. Tubular even-count peyote stitch requires that little "step up" at the end of each round! 3. Pass through the first bead picked up again and pull snugly so that you form a tight ring around your wood bead on the double-sided tape.

		4. Start working in tubular even-count peyote stitch until the beadwork starts to pull away a bit from the wood bead. You can flip the bead over and work some peyote stitch on the other side to keep your tension even and tight.

		5. Stitch a size 15^o seed bead in the first stitch and then alternate cylinder beads and size 15^o seed beads for one round. 6. Add a size 15^o in every stitch for two rounds. 7. Stitch a size 15^o in the first stitch and then make a decrease. (Pass through the next 2 beads and pull snugly.) Repeat around.

		8. Pick up beads for netting: 1 size 15^o, 1 cylinder bead, and 1 size 15^o. Pass through the next "up" bead in the round.

		9. Pass through the first two beads added at the beginning of the previous round. Work peyote stitch through the cylinder beads from the previous step until the opening begins to close up a little. Work peyote stitch for a total of three rounds.

		10. To secure the last row, pass through all the beads in the round just added and pull. Weave your thread into the beadweaving, tie a few knots, weave in a bit more, and trim. Repeat for the other side of the beaded bead.

		You can either leave your beaded bead as it is or add some fancy beaded embellishment. Try covering your beaded bead with beaded netting, stitching a pattern of bugle beads around the center of the bead, or adding fringe beads or daggers to the ends of your beaded bead. The sky is the limit when it comes to embellishing these little beauties!

A tip for maintaining even tension when working peyote stitch around this kind of beaded bead: when you pass through the first bead in Step 3, leave a thread tail that is approximately one-half the length of your beading thread. This way, you can flip the bead over and work peyote stitch on the other side of the bead without having to add a new thread!